Only A Free Man Can Tell the Truth
“To know is not enough. One must try to understand too. There will be a lot of talking in the Cape these days, one man’s word against another’s, master against slave. But what’s the use? Liars all. Only a free man can tell the truth. In the shadow of death, one must walk on tiptoe, for death is a deathly thing.”
In the early nineteenth century, a slave rebellion, one of the very few that ever existed, rises in the Cape Colony in the heart of South Africa. On a farm, the master’s family and the slaves co-exist, at first without really interfering with each other; the white master, Piet, is tough and inflexible farmer, Alida, his wife is sad, nostalgic about her youth in the Cape. As their two sons Nicolaas and Barend get married and build their own lives on separate farms, the slave community has to follow the new masters. With time, new tensions and passions form until a rebellion eventually occurs.
The increasing tension is at first framed by an act of accusation of the slaves, the novel is literally the chain of characters’ voices speaking; all characters, dead and alive, have their say in this literary chorus. It is this tense climate that the debate on the abolition of slavery reaches the ears of the Bokkenveld inhabitants, disrupting the established relationships between masters and slaves, men and women, friends and enemies.
The atmosphere of the book is very similar to one before a storm; there are signs of change, the wind silently blowing in different directions… As the abolition of slavery comes to the front stage, the established norms in human relations change and even blur; old friends are set apart by ambition or rivalry, wives question their husbands and their precarious status. A Chain of Voices is at the same time a chorus of different tones and complaints, and the clanging echo of chains breaking to set the human spirit free.